When the last week of February rolls around, it’s time to celebrate at AM, Then FM. It dropped into the blogosphere six years ago this week, way back in 2007.
For the six of you who have remained regular readers all this time, thank you.
There are more than six of you, of course, but the glory days of music blogs seem to have come and gone.
Oliver Wang wrote about that the other day over at Soul Sides in response to a reader’s question. “Blogs … peaked in saturation about five years ago and have been on the wane since then.” It’s a drag to go through the bookmarks and see the blogs that have gone dark, especially in the last year or so.
However, a few of us keep on keepin’ on.
So we celebrate the beginning of our sixth year with a six-pack. Six songs by six artists from their sixth studio LP. The songs had to come from my records, and they had to be vinyl rips.
“Soolaimon,” Neil Diamond, from “Tap Root Manuscript,” 1970.
One of the first LPs I ever had. Also my introduction to world music. Also for my friend Glick, who has been digging music with me for 40 years.
“Molina,” Creedence Clearwater Revival, from “Pendulum,” 1970.
I once really dug the “Green River” and “Cosmo’s Factory” LPs. “Pendulum” not so much, but this is a good song. I like the sax. Creedence was one of my faves when I was in my teens and 20s, but I’ve found them almost unlistenable since John Fogerty released “Centerfield” in the mid-’80s. I didn’t like that record and it somehow soured me on Creedence.
“Back Stabbers,” the O’Jays, from “Back Stabbers,” 1972.
Those of us of a certain age are blessed to have grown up in a time when you heard elegant soul like this on the radio.
“I’ll Be Coming Home,” the J. Geils Band, from “Nightmares … And Other Tales From The Vinyl Jungle,” 1974.
Not long after starting this blog, I wrote a Complete Idiot’s Guide to the J. Geils Band for the blog that eventually became Popdose. I’m qualified because I have all 14 J. Geils Band LPs. Idiot completist. As I listened to all 14, this struck me as one of their best records. I almost picked “Gettin’ Out,” a keyboard-driven rave-up with a bunch of showy solos, but went instead with this slow groover. It has sort of a Latin beat and features Jay Geils on mandolin and Seth Justman on piano and that slinky organ.
“Theme From ‘Enter The Dragon’,” Dennis Coffey, from “Instant Coffey,” 1974. (The LP out of print but the song is available digitally.)
Detroit guitar legend Dennis Coffey is one of the artists I’ve rediscovered since starting this blog. I have a bunch of his records now.
“The Blacker The Berrie,” the Isley Brothers, from “The Brothers: Isley,” 1969. (The LP is out of print. The song isn’t available digitally that I can find.)
Likewise the Isleys, who I somehow knew almost nothing about before starting AM, Then FM. I have a bunch of their records now, too. This cut also is known as “Black Berries.”
Please visit our other blog, The Midnight Tracker, for more vintage vinyl, one side at a time.
Filed under: February 2013, Sounds Tagged: 1969, 1970, 1972, 1974, Creedence Clearwater Revival, Dennis Coffey, Isley Brothers, J. Geils Band, Neil Diamond, O'Jays
